German Art Nouveau is commonly known by its German name, Jugendstil. Drawing from traditional German printmaking, the style uses precise and hard edges, an element that was rather different from the naturalistic style of the time. The movement was centred in Hamburg and was an essential element of the German movement. Within the field of Jugendstil art, there is a variety of different methods, applied by the various individual artists. Methods range from classic to romantic. One feature that sets Jugendstil apart is the typography used, whose letter and image combination is unmistakable. The combination was used for covers of novels, advertisements, and exhibition posters. Designers often used unique display typefaces that worked harmoniously with the image.
Henry Van de Velde, who worked most of his career in Germany, was a Belgian theorist who influenced many others to continue in this style of graphic art including Peter Behrens, Hermann Obrist and Richard Riemerschmid. August Endell is another notable Art Nouveau designer.[5]
Magazines were important in spreading the visual idiom of Jugendstil, especially the graphical qualities. Besides Jugend, other important ones were the satirical Simplicissimus and Pan.
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